Italian literature: The Renaissance
The Renaissance
The Tuscan vernacular that had been established by Dante, Petrarch, and Boccaccio was inhibited by a strong return to Latin in the 15th cent. among humanist writers and philosophers. Coluccio Salutati, Lorenzo Valla, Marsilio Ficino, and Giovanni Pico della Mirandola were among the writers and scholars who sought to return to the fonts of classical antiquity for inspiration and guidance in matters of language, literary style, moral instruction, and simply a new vision of the relation of humanity to its surroundings and to God. When the vernacular began to be used again in the late 15th cent., poetic language and tastes had been refined by the values of humanist learning.
In the circle of Lorenzo de'Medici, Tuscan vernacular was used in popular, Petrarchan, and pastoral poetry and in a return to medieval subject matter. Luigi Pulci's grotesque
Other Renaissance genres brought to a high level of perfection by outstanding writers were the pastoral poem (Poliziano, Tasso, and Guarini); the pastoral romance (Sannazaro); the Petrarchan lyric (Bembo, Michelangelo, Gaspara Stampa); imitations of classical tragedy (Trissino) and classical comedy (Ariosto, Machiavelli, Aretino); dialogues in the Platonic manner (Castiglione's
Sections in this article:
- Introduction
- The Late Nineteenth and Twentieth Centuries
- The Napoleonic Era and the Risorgimento
- The Seventeenth and Eighteenth Centuries
- The Renaissance
- The Fourteenth Century
- The Thirteenth Century
- Bibliography
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