photography, still: The Aesthetics of Photography
The Aesthetics of Photography
Seeking to determine the particular aesthetics of photography, the American Berenice Abbott and the Frenchmen Eugène Atget, André Kertész, and Henri Cartier-Bresson developed intensely personal styles. The exponents of surrealism in France and of futurism in Italy and the various German art movements that were focused in the Bauhaus all explored the medium of photography. The international exhibition “Film und Foto,” held in Stuttgart in 1929, helped to make formal a purely photographic aesthetic. The works exhibited combined elements of functionalism and abstraction. Photographic subject matter shifted from the past to the present—a present of new forms in machinery and architecture, new concern with the experience of the working classes, and a new interest in the timeless forms of nature.
In California during the 1920s and 30s Edward Weston and a handful of kindred spirits founded the
Sections in this article:
- Introduction
- Digital Technology
- Other Aspects of Photography
- Modern Photography
- The Impact of New Technology
- The Aesthetics of Photography
- Art and Documentary Photography
- Further Developments
- The Impact of Early Photography
- The Collodion Process
- The Calotype
- The Daguerreotype
- The Invention of Photography
- Early Developments
- Bibliography
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2024, Columbia University Press. All rights reserved.
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