Japanese art: The Nara Period
The Nara Period
In the sculpture of the Nara period (710–784) clay figures and statues made in the dry-lacquer process (lacquer applied to a solid core of wood or lacquered cloths placed over some kind of armature) attained great popularity. Representations of Buddhist deities and saints in wood and bronze evolved in style from an elegant thinness in the works of Tori (active c.600–630) to the more massive figures of the 8th and 9th cent., which reflect the style of the later T'ang dynasty in China.
During the Nara period the traditional technical methods of Japanese painting were established. The work was executed upon thin or gauzelike silk or soft paper with Chinese ink and watercolors. It was then mounted on silk brocade or its paper imitation and rolled upon a rod when not in view. The hanging scroll is called
Sections in this article:
- Introduction
- Recent Japanese Art
- The Edo Period to the Twentieth Century
- The Momoyama Period
- The Muromachi Period
- The Kamakura Period
- The Fujiwara Period
- The Nara Period
- Buddhist and Chinese Influences
- Early Works
- Bibliography
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