Japanese art: The Edo Period to the Twentieth Century
The Edo Period to the Twentieth Century
The school of painting started in the Edo period (1615–1867) by Koetsu Hon'ami and Sotatsu Tawaraya and continued by Ogata Korin and Ogata Kenzan represented a return to the native tradition of Japanese painting.
There arose a new type of art in the form of wood-block prints known as ukiyo-e (pictures of the fleeting floating world), which appealed first to the taste of the lowest, but wealthiest, groups of feudal society. The color-print designers eventually won worldwide recognition and influenced Degas, Whistler, and numerous other Western artists. Among the major ukiyo-e painters are Harunobu, Kiyonaga, Utamaro, Hokusai, and Hiroshige.
Sections in this article:
- Introduction
- Recent Japanese Art
- The Edo Period to the Twentieth Century
- The Momoyama Period
- The Muromachi Period
- The Kamakura Period
- The Fujiwara Period
- The Nara Period
- Buddhist and Chinese Influences
- Early Works
- Bibliography
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2024, Columbia University Press. All rights reserved.
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