Amy Lowell: Paris, April, 1814

Cold, impassive, the marble arch of the Place du Carrousel.
Haughty, contemptuous, the marble arch of the Place du Carrousel.
Like a woman raped by force, rising above her fate,
Borne up by the cold rigidity of hate,
Stands the marble arch of the Place du Carrousel.
Tap! Clink-a-tink!
Tap! Rap! Chink!
What falls to the ground like a streak of flame?
Hush! It is only a bit of bronze flashing in the sun.
What are all those soldiers? Those are not the uniforms of France.
Alas! No! The uniforms of France, Great Imperial France, are done.
They will rot away in chests and hang to dusty tatters in barn lofts.
These are other armies. And their name?
Hush, be still for shame;
Be still and imperturbable like the marble arch.
Another bright spark falls through the blue air.
Over the Place du Carrousel a wailing of despair.
Crowd your horses back upon the people, Uhlans and Hungarian Lancers,
They see too much.
Unfortunately, Gentlemen of the Invading Armies, what they do not see,
they hear.
Tap! Clink-a-tink!
Tap!
Another sharp spear
Of brightness,
And a ringing of quick metal lightness
On hard stones.
Workmen are chipping off the names of Napoleon's victories
From the triumphal arch of the Place du Carrousel.

Do they need so much force to quell the crowd?
An old Grenadier of the line groans aloud,
And each hammer tap points the sob of a woman.
Russia, Prussia, Austria, and the faded-white-lily Bourbon king
Think it well
To guard against tumult,
A mob is an undependable thing.
Ding! Ding!
Vienna is scattered all over the Place du Carrousel
In glittering, bent, and twisted letters.
Your betters have clattered over Vienna before,
Officer of his Imperial Majesty our Father-in-Law!
Tink! Tink!
A workman's chisel can strew you to the winds,
Munich.
Do they think
To pleasure Paris, used to the fall of cities,
By giving her a fall of letters!

It is a month too late.
One month, and our lily-white Bourbon king
Has done a colossal thing;
He has curdled love,
And soured the desires of a people.
Still the letters fall,
The workmen creep up and down their ladders like lizards on a wall.
Tap! Tap! Tink!
Clink! Clink!
"Oh, merciful God, they will not touch Austerlitz!
Strike me blind, my God, my eyes can never look on that.
I would give the other leg to save it, it took one.
Curse them! Curse them! Aim at his hat.
Give me the stone. Why didn't you give it to me?
I would not have missed. Curse him!
Curse all of them! They have got the `A'!"
Ding! Ding!
"I saw the Terror, but I never saw so horrible a thing as this.
`Vive l'Empereur! Vive l'Empereur!'"
"Don't strike him, Fritz.
The mob will rise if you do.
Just run him out to the `quai',
That will get him out of the way.
They are almost through."
Clink! Tink! Ding!
Clear as the sudden ring
Of a bell
"Z" strikes the pavement.
Farewell, Austerlitz, Tilsit, Presbourg;
Farewell, greatness departed.
Farewell, Imperial honours, knocked broadcast by the beating hammers
of ignorant workmen.
Straight, in the Spring moonlight,
Rises the deflowered arch.
In the silence, shining bright,
She stands naked and unsubdued.
Her marble coldness will endure the march
Of decades.
Rend her bronzes, hammers;
Cast down her inscriptions.
She is unconquerable, austere,
Cold as the moon that swims above her
When the nights are clear.