Leonardo da Vinci: Middle Life and Mature Work: Milan and Florence
Middle Life and Mature Work: Milan and Florence
Leonardo went to Milan c.1482 and remained at the court of Ludovico Sforza for 16 years. There he composed the greater part of his
In 1483, Leonardo, with his pupil Ambrogio de Predis, was commissioned to execute the famous
While at Ludovico's court Leonardo also worked on an equestrian monument to the duke's father, Francesco Sforza. The work was never cast, and the model, admired by his contemporaries, perished during the French invasion of 1499. In 1511 he undertook a similar work with the commission of an equestrian monument for Gian Giacomo Trivulzio. This work was also never completed and known only through drawings related to the project. After the fall (1499) of Ludovico Sforza, Leonardo left Milan and, following brief sojourns in Mantua and Venice, returned to Florence in 1500.
Back in Florence Leonardo engaged in much theoretical work in mathematics and pursued his anatomical studies at the hospital of Santa Maria Nuova, dissecting cadavers,drawing, and making copious notes in an attempt to understand the muscles, bones, and other aspects of body that lay beneath the skin and dictated the human countenance and form. In 1502 he entered the service of Cesare Borgia as a military engineer. His engagement took him to central Italy to study swamp reclamation projects in Piombino and to tour the cities of Romagna. At Urbino he met Niccolò Machiavelli, who later became a close friend.
By 1503 he was back in Florence, where he was commissioned to execute the fresco of the battle of Anghiari. This work, like its companion piece assigned to Michelangelo, was never completed, and the cartoons were subsequently destroyed. The work exerted enormous influence on later artists, however, and some impression of the original may be had from anonymous copies in the Uffizi and Casa Horne (Florence), from an engraving of 1558 of Lorenzo Zacchia, and from a drawing by Rubens (Louvre). From about this time dates the celebrated
In 1506, Leonardo returned to Milan, engaged by Charles d'Amboise in the name of the French king, Louis XII. Here he again served as architect and engineer. Gifted with a gargantuan curiosity concerning the physical world, he continued his scientific investigations, concerning himself with problems of geology, botany, hydraulics, and mechanics. In 1510–11 his interest in anatomy quickened considerably. At the same time he was active as painter and sculptor, had many pupils, and profoundly influenced the Milanese painters. A painting generally ascribed to this period is the
Sections in this article:
- Introduction
- Late Life and Work: Rome and France
- Middle Life and Mature Work: Milan and Florence
- Early Life and Work: Vinci and Florence
- Bibliography
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