The 1996 Academy Awards were presented March 24, 1997 at the Shrine Auditorium, Los Angeles.
Best Picture | The English Patient, Saul Zaentz, producer (Miramax) |
| Fargo, Ethan Coen, producer (Gramercy) |
| Jerry Maguire, James L. Brooks, Laurence Mark, Richard Sakai and Cameron Crowe, producers (TriStar) |
| Secrets and Lies, Simon Channing-Williams, producer (October Films) |
| Shine, Jane Scott, producer (Fine Line) |
Actor in a Leading Role | Tom Cruise, Jerry Maguire |
| Ralph Fiennes, The English Patient |
| Woody Harrelson, The People vs. Larry Flynt |
| Geoffrey Rush, Shine |
| Billy Bob Thornton, Sling Blade |
Actress in a Leading Role | Brenda Blethyn, Secrets and Lies |
| Diane Keaton, Marvin's Room |
| Frances McDormand, Fargo |
| Kristen Scott Thomas, The English Patient |
| Emily Watson, Breaking the Waves |
Actor in a Supporting Role | Cuba Gooding, Jr., Jerry Maguire |
| William H. Macy, Fargo |
| Armin Mueller-Stahl, Shine |
| Edward Norton, Primal Fear |
| James Woods,Ghosts of Mississippi |
Actress in a Supporting Role | Joan Allen, The Crucible |
| Lauren Bacall, The Mirror Has Two Faces |
| Juliette Binoche, The English Patient |
| Barbara Hershey, The Portrait of a Lady |
| Marianne Jean-Baptiste, Secrets and Lies |
Directing | Anthony Minghella, The English Patient |
| Joel Coen, Fargo |
| Milos Forman, The People vs. Larry Flynt |
| Mike Leigh, Secrets and Lies |
| Scott Hicks, Shine |
Writing | Screenplay Written Directly for the Screen | Ethan Coen and Joel Coen, Fargo | | Cameron Crowe, Jerry Maguire | | John Sayles, Lone Star | | Mike Leigh, Secrets and Lies | | Jan Sardi and Scott Hicks, Shine | Screenplay Based on Material Previously Produced or Published | Arthur Miller, The Crucible | | Anthony Minghella, The English Patient | | Kenneth Branagh, Hamlet | | Billy Bob Thornton, Sling Blade | | John Hodge, Trainspotting |
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Cinematography | John Seale, The English Patient |
| Darius Khondji, Evita |
| Roger Deakins, Fargo |
| Caleb Deschanel, Fly Away Home |
| Chris Menges, Michael Collins |
Art Direction | Bo Welch, art direction; Cheryl Carasik, set decoration, The Birdcage |
| Stuart Craig, art direction; Stephenie McMillan, set decoration, The English Patient |
| Brian Morris, art direction; Phillippe Turiure, set decoration, Evita |
| Tim Harvey, art direction, Hamlet |
| Catherine Martin, art direction; Brigitte Broche, set decoration, William Shakespeare's Romeo and Juliet |
Sound | Walter Murch, Mark Berger, David Parker and Chris Newman, The English Patient |
| Andy Nelson, Anna Behlmer and Ken Weston, Evita |
| Chris Carpenter, Bill W. Benton, Bob Beemer and Jeff Wexler, Independence Day |
| Kevin O'Connell, Greg P. Russell and Keith A. Wester, The Rock |
| Steve Maslow, Gregg Landaker, Kevin O'Connell and Geoffrey Patterson, Twister |
Music | Song | “Because You Loved Me,” Up Close and Personal, Diane Warren, music and lyrics | | “For the First Time,” One Fine Day, James Newton Howard, Jud J. Friedman and Allan Dennis Rich, music and lyrics | | “I Finally Found Someone,” The Mirror Has Two Faces, Barbra Streisand, Marvin Hamlisch, Bryan Adams and Robert Lange, music and lyrics | | “That Thing You Do!,” That Thing You Do!, Adam Schlesinger, music and lyrics | | “You Must Love Me,” Evita, Andrew Lloyd Webber and Tim Rice, music and lyrics | Original Score | Gabriel Yared, The English Patient | | Patrick Doyle, Hamlet | | Elliot Goldenthal, Michael Collins | | David Hirschfelder, Shine | | John Williams, Sleepers | Original Musical or Comedy Score | Rachel Portman, Emma | | Marc Shaiman, The First Wives Club | | Alan Menken and Stephen Schwartz, The Hunchback of Notre Dame | | Randy Newman, James and the Giant Peach | | Hans Zimmer, The Preacher's Wife |
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Film Editing | Walter Murch, The English Patient |
| Gerry Hambling, Evita |
| Roderick Jaynes, Fargo |
| Joe Hutshing, Jerry Maguire |
| Pip Karmel, Shine |
Costume Design | Paul Brown, Angels and Insects |
| Ruth Myers, Emma |
| Ann Roth, The English Patient |
| Alex Byrne, Hamlet |
| Janet Patterson, The Portrait of a Lady |
Makeup | Matthew W. Mungle and Deborah La Mia Denaver, Ghosts of Mississippi |
| Rick Baker and David Leroy Anderson, The Nutty Professor |
| Michael Westmore, Scott Wheeler and Jake Garber, Star Trek: First Contact |
Visual Effects | Scott Squires, Phil Tippett, James Straus and Kit West, Dragonheart |
| Volker Engel, Douglas Smith, Clay Pinney and Joseph Viskocil,Independence Day |
| Stefen Fangmeier, John Frazier, Habib Zargarpour and Henry La Bounta,Twister |
Sound Effects Editing | Richard L. Anderson and David A. Whittaker, Daylight |
| Alan Robert Murray and Bub Asman, Eraser |
| Bruce Stambler, The Ghost and the Darkness |
Short Films | Animation | Canhead (Timothy Hittle and Chris Peterson, producers; Timothy Hittle Production) | | La Salla (Richard Condie, producer; National Film Board of Canada Production) | | Quest (Tyron Montgomery and Thomas Stellmach, producers; Thomas Stellmach Animation Production) | | Wat's Pig (Peter Lord, producer; Aardman Animations Limited Production) | Live Action | De Tripas, Corazón (Antonio Urrutia, producer; IMCINE/DPC/Universidad de Guadalajara Production) | | Dear Diary (David Frankel and Barry Jossen, producers; DreamWorks SKG Production) | | Ernst & Lyset (Kim Magnusson and Anders Thomas Jensen, producers; M&M Production) | | Esposados (Juan Carlos Fresnadillo, producer; Zodiac Films/Juan Carlos Fresnadillo P.C. Production) | | Wordless (Bernadette Carranza and Antonello De Leo, producer; Film Trust Italia Production) |
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Documentary | Short Subject | Breathing Lessons: The Life and Work Mark O'Brien (Jessica Yu, producer; Inscrutable Films/Pacific News Service Production) | | Cosmic Voyage (Jeffrey Marvin and Bayley Silleck, producers; Cosmic Voyage Inc. Production) | | An Essay on Matisse (Perry Wolff, producer; Great Projects Film Company Inc. Production) | | Special Effects (Susanne Simpson and Ben Burtt, producers; NOVA/WGBH Boston Production) | | The Wild Bunch: An Album in Montage (Paul Seydor and Nick Redman, producers; Tyrus Entertainment Production) | Feature | The Line King: The Al Hirschfeld Story (Susan W. Dryfoos, producer; Times History Production) | | Mandela (Jo Menell and Angus Gibson, producers; Clinica Estetico, Ltd, Production) | | Suzanne Farrell: Elusive Muse (Anne Belle and Deborah Dickson, producers; Seahorse Films, Inc. Production) | | Tell the Truth and Run: George Seldes and the American Press (Rick Goldsmith, producer; Never Tire Production) | | When We Were Kings (Leon Gast and David Sonenberg, producers; DASFilms Ltd. Production) |
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Foreign Language Film | A Chef in Love, Georgia |
| Kolya, Czech Republic |
| The Other Side of Sunday, Norway |
| The Prisoner of the Mountains, Russia |
| Ridicule, France |
Irving G. Thalberg Award | Saul Zaentz, producer |
Scientific and Technical Award | Imax Corp. for its large screen format |
Honorary Award | Michael Kidd, choreographer |