1946 Cannes Film Festival
Updated September 9, 2022 |
Infoplease Staff
| Grand Prix | The Red Earth, Lau Lauritzen (Denmark) | |
| The Lost Weekend, Billy Wilder (United States) | ||
| Symphonie Pastorale, Jean Delannoy (France) | ||
| Brief Encounter, David Lean (United Kingdom) | ||
| Neecha Nagar, Chetan Anand (India) | ||
| Open City, Roberto Rossellini (Italy) | ||
| Maria Candelaria, Emilio Fernandez (Mexico) | ||
| The Prize, Alf Sjoberg (Sweden) | ||
| The Last Chance, Leopold Lindtberg (Switzerland) | ||
| Men Without Wings, M. Cap (Czechoslovakia) | ||
| The Great Turning Point, Friedrich Ermler (U.S.S.R.) | ||
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| Special Jury Prize | Battle of the Rails, Rene Clement (France) | |
| Best Actor | Ray Milland, The Lost Weekend (United States) | |
| Best Actress | Michele Morgan, Symphonie Pastorale (France) | |
| Direction | Rene Clement, Battle of the Rails (France) | |
| Screenplay | Tchirskov, The Great Turning Point (U.S.S.R.) | |
| Cinematography | Gabriel Figueroa, Maria Candelaria and The Three Musketeers (Mexico) | |
| Music | Georges Auric | |
| Color | The Stone Flower, Alexander Ptouchko (U.S.S.R.) | |
| Documentary | Berlin, J. Raisman (U.S.S.R.) | |
| Animation | Make Mine Music, Walt Disney (United States) | |
| Grand Prix for Peace | The Last Chance, Leopold Lindtberg (Switzerland) | |
| Cidalc Prize | Epaves, Jacques Yves Cousteau, Frederic Dumas, Philippe Tailliez and Roger Gary (France) |
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