1935 Academy Awards
Updated September 9, 2022 |
Infoplease Staff
The 1935 Academy Awards were presented March 5, 1936 at the Biltmore Hotel, Los Angeles.
| Outstanding Production | Alice Adams (RKO Radio) | ||||||||||||||||||
| Broadway Melody of 1936 (MGM) | |||||||||||||||||||
| Captain Blood (Cosmopolitan; First National) | |||||||||||||||||||
| David Copperfield (MGM) | |||||||||||||||||||
| The Informer (RKO Radio) | |||||||||||||||||||
| Les Misérables (Twentieth Century; United Artists) | |||||||||||||||||||
| The Lives of a Bengal Lancer (Paramount) | |||||||||||||||||||
| A Midsummer Night's Dream (Warner Bros.) | |||||||||||||||||||
| Mutiny on the Bounty (MGM) | |||||||||||||||||||
| Naughty Marietta (MGM) | |||||||||||||||||||
| Ruggles of Red Gap (Paramount) | |||||||||||||||||||
| Top Hat (RKO Radio) | |||||||||||||||||||
| Best Actor | Clark Gable, Mutiny on the Bounty | ||||||||||||||||||
| Charles Laughton, Mutiny on the Bounty | |||||||||||||||||||
| Victor McLaglen, The Informer | |||||||||||||||||||
| Paul Muni, Black Fury (Write-in candidate, not an official nomination) | |||||||||||||||||||
| Franchot Tone, Mutiny on the Bounty | |||||||||||||||||||
| Best Actress | Elisabeth Bergner, Escape Me Never | ||||||||||||||||||
| Claudette Colbert, Private Worlds | |||||||||||||||||||
| Bette Davis, Dangerous | |||||||||||||||||||
| Katharine Hepburn, Alice Adams | |||||||||||||||||||
| Miriam Hopkins, Becky Sharp | |||||||||||||||||||
| Merle Oberon, The Dark Angel | |||||||||||||||||||
| Directing | Michael Curtiz, Captain Blood (Write-in candidate, not an official nomination) | ||||||||||||||||||
| John Ford, The Informer | |||||||||||||||||||
| Henry Hathaway, The Lives of a Bengal Lancer | |||||||||||||||||||
| Frank Lloyd, Mutiny on the Bounty | |||||||||||||||||||
| Writing |
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| Cinematography | Ray June, Barbary Coast | ||||||||||||||||||
| Victor Milner, The Crusades | |||||||||||||||||||
| Hal Mohr, A Midsummer Night's Dream (Write-in candidate, not an official nomination) | |||||||||||||||||||
| Gregg Toland, Les Misérables | |||||||||||||||||||
| Art Direction | Carroll Clark and Van Nest Polglase, Top Hat | ||||||||||||||||||
| Richard Day, The Dark Angel | |||||||||||||||||||
| Hans Dreier and Roland Anderson, The Lives of a Bengal Lancer | |||||||||||||||||||
| Sound Recording | Columbia Studio Sound Dept., Love Me Forever | ||||||||||||||||||
| MGM Studio Sound Dept., Naughty Marietta | |||||||||||||||||||
| Paramount Studio Sound Dept., The Lives of a Bengal Lancer | |||||||||||||||||||
| Republic Studio Sound Department, $1,000 a Minute | |||||||||||||||||||
| RKO Radio Studio Sound Dept., I Dream Too Much | |||||||||||||||||||
| Twentieth Century-Fox Studio Sound Dept., Thanks a Million | |||||||||||||||||||
| United Artists Studio Sound Dept., The Dark Angel | |||||||||||||||||||
| Universal Studio Sound Dept., The Bride of Frankenstein | |||||||||||||||||||
| Warner Bros.-First National Studio Sound Dept., Captain Blood | |||||||||||||||||||
| Assistant Director | Clem Beauchamp and Paul Wing, The Lives of a Bengal Lancer | ||||||||||||||||||
| Joseph Newman, David Copperfield | |||||||||||||||||||
| Sherry Shourds, A Midsummer Night's Dream (Write-in candidate, not an official nomination | |||||||||||||||||||
| Eric Stacey, Les Misérables | |||||||||||||||||||
| Music |
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| Film Editing | Margaret Booth, Mutiny on the Bounty | ||||||||||||||||||
| Ralph Dawson, A Midsummer Night's Dream | |||||||||||||||||||
| George Hively, The Informer | |||||||||||||||||||
| Ellsworth Hoagland, The Lives of a Bengal Lancer | |||||||||||||||||||
| Robert J. Kern, David Copperfield | |||||||||||||||||||
| Barbara McLean, Les Misérables | |||||||||||||||||||
| Dance Direction | Busby Berkeley, “Lullaby of Broadway” and “The Words Are in My Heart,” Gold Diggers of 1935 | ||||||||||||||||||
| Bobby Connolly, “Latin From Manhattan,” Go Into Your Dance and “Playboy From Paree,” Broadway Hostess | |||||||||||||||||||
| Dave Gould, “I've Got a Feeling You're Fooling,” Broadway Melody of 1936 and “Straw Hat,” Folies Bergere | |||||||||||||||||||
| Sammy Lee, “Lovely Lady” and “Too Good to Be True,” King of Burlesque | |||||||||||||||||||
| Hermes Pan, “Piccolino” and “Top Hat, White Tie and Tails,” Top Hat | |||||||||||||||||||
| LeRoy Prinz, “It's the Animal in Me,” Big Broadcast of 1936 and “Viennese Waltz,” All the King's Horses | |||||||||||||||||||
| Benjamin Zemach, “Hall of Kings,” She | |||||||||||||||||||
| Short Subjects |
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| Special Award | To David Wark Griffith for his distinguished creative achievements as director and producer and his invaluable initiative and lasting contributions to the progress of the motion picture arts |
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